Guitars Vox 
This brand is an alias of 
- Short-cuts : Vox Guitars
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Characteristics 
The AC15CC 15-watt Class A tube combo is the next incarnation of the 1958 classic that guitarists have loved for years.
The AC15 Custom Classic (which is made in China) comes equipped with a few modern features and conveniences that its ancestor didn't have. Controls include Master volume, Treble and Bass controls and Tremolo with fully variable Speed and Depth, and features spring reverb. Tremolo and Reverb are footswitchable with the included footswitch.
It sports 2 EL84's and 2 12AX7's, and has a silicon rectifier. The speaker impedance can be switched between 8 or 16 Ohms so you can connect it to external cabinets oif your choice.. The AC15CC is available with either a Celestion AlNiCo Blue Speaker (AC15CC1X) if you fork out a couple hundred extra dollars, or is available with a VOX designed Custom speaker (AC15CC1). Its up to you.
The AC15 Custom Classic (which is made in China) comes equipped with a few modern features and conveniences that its ancestor didn't have. Controls include Master volume, Treble and Bass controls and Tremolo with fully variable Speed and Depth, and features spring reverb. Tremolo and Reverb are footswitchable with the included footswitch.
It sports 2 EL84's and 2 12AX7's, and has a silicon rectifier. The speaker impedance can be switched between 8 or 16 Ohms so you can connect it to external cabinets oif your choice.. The AC15CC is available with either a Celestion AlNiCo Blue Speaker (AC15CC1X) if you fork out a couple hundred extra dollars, or is available with a VOX designed Custom speaker (AC15CC1). Its up to you.
Utilisation 
This amp is fairly quiet. I've noticed slight hum in most or almost all of the lower end tube combos like Blues Junior, Epi Valve Junior. I was glad to not see that here with the Vox AC15.
The controls are self-explanatory. One thing I noticed is the eq section interacts a great deal with itself, and with the gain section. (most amps behaved like this back in the day anyway). It means you need to really explore the settings and protential to tweak, not just put everything at 12 o clock and settle for what you get. But getting a good sound from the start is easy.
The controls are self-explanatory. One thing I noticed is the eq section interacts a great deal with itself, and with the gain section. (most amps behaved like this back in the day anyway). It means you need to really explore the settings and protential to tweak, not just put everything at 12 o clock and settle for what you get. But getting a good sound from the start is easy.
Sounds The AC15 is all about earthy classic British tube tone. It behaves much like you'd expect from a small tube combo. It breaks up without having to shatter your windows and gives you a nice clean overdrive. This amp is very responsive to picking attack. It LOVES single-coil pickups, so break out the LP Junior with P-90's and Telecaster. Its like jangly classic rock heaven. Sadly, I don't play single-coils at all hardly. But it loves my Ibanez Ghostrider with Gibson P.A.F. humbuckers, it brought out a lot of brightness and gave me a nice raucous bark of a rhythm tone, and some stinging bluesy leads.
This amp has crazy, glassy high transients. It has brightness for days and can bring out the tinkly highs from even the darkest guitar (like an old Fernandes w/humbuckers that I have) with the treble dimed, without being harsh at all.
What this amp does not do is 5150 or bogner like high gain, which.... I would hope you weren't expecting. With a pedal thrown in front I'm sure you'd be happy with the high gain sounds you could coax this amp into, then maybe you'd get some versatility from this amp. In and of itself, its a pretty distictive sounding amp so you have to like that "vox sound" to really appreciate this amp.
A word here about the speaker: If you play it in the store and it sounds a bit "brittle" to your ears, you are not alone. But after a good amount of playing (a few weeks or so) you will significantly break in the vox speaker and it sweetens up for you. The more I played this amp, the better it sounded.
This amp has crazy, glassy high transients. It has brightness for days and can bring out the tinkly highs from even the darkest guitar (like an old Fernandes w/humbuckers that I have) with the treble dimed, without being harsh at all.
What this amp does not do is 5150 or bogner like high gain, which.... I would hope you weren't expecting. With a pedal thrown in front I'm sure you'd be happy with the high gain sounds you could coax this amp into, then maybe you'd get some versatility from this amp. In and of itself, its a pretty distictive sounding amp so you have to like that "vox sound" to really appreciate this amp.
A word here about the speaker: If you play it in the store and it sounds a bit "brittle" to your ears, you are not alone. But after a good amount of playing (a few weeks or so) you will significantly break in the vox speaker and it sweetens up for you. The more I played this amp, the better it sounded.
Overall Opinion I play indie rock that leans toward classic rock tones sometimes, so I like the raw classic sound of this amp that leaves cheesy solid state amps in its dust. Sometimes I demand more gain at lower volumes than this is capable of producing but I'm quite used to relying on my Tube Screamer and DOD pedals, which interacted with this amp nicely.
I gotta say, 600 bucks sounded like a lot but now I'm quite convinced that tonally and features-wise this is quite an amp for the price. I own an Epiphone Valve Special which is great at 200 or so, but it doesn't have a 12" speaker, tremolo, or switchable dual channels, or footswitch. The only thing that concerns me is the reliability. Its the only thing that made me feel hesitant when I read reviews of it, and yes it does have plastic jacks and cheap feeling pots, and the fuse holder is quite sketchy looking. At least the tube sockets look like decent quality. Thats the only thing I can knock off points for. I havent had any problems yet but I'm crossing my fingers on this one.
I gotta say, 600 bucks sounded like a lot but now I'm quite convinced that tonally and features-wise this is quite an amp for the price. I own an Epiphone Valve Special which is great at 200 or so, but it doesn't have a 12" speaker, tremolo, or switchable dual channels, or footswitch. The only thing that concerns me is the reliability. Its the only thing that made me feel hesitant when I read reviews of it, and yes it does have plastic jacks and cheap feeling pots, and the fuse holder is quite sketchy looking. At least the tube sockets look like decent quality. Thats the only thing I can knock off points for. I havent had any problems yet but I'm crossing my fingers on this one.
Vox V848 Clyde McCoy Wah Wah
By Rockmonster on 03/24/2008 at 01:42 Serious about music, want to make it your profession.
By Rockmonster on 03/24/2008 at 01:42 Serious about music, want to make it your profession.
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Characteristics Classic wah tones. Pure and simple.. at least the closest available using Fasel inductors.. maybe not the EXACT same tone as the original Clyde, but certainly the closest you can get without running the boutique route at about 100+ bucks more.
This is a pure analog device.. pivoting rocker pedal.. True Bypass, shiny chrome.. no modeling,chips or silicone...
No editing options.. Put it on the floor. Step on it. Click the button. Wiggle it back and forth. Yay! It's a wah wah.
This is a pure analog device.. pivoting rocker pedal.. True Bypass, shiny chrome.. no modeling,chips or silicone...
No editing options.. Put it on the floor. Step on it. Click the button. Wiggle it back and forth. Yay! It's a wah wah.
Utilisation 
Um.. no manual necessary... no editing options... see characteristics. My kid can figure this out. (of course.. he already thinks he knows everything... so.....
Sound Quality Very sweet. The closest to classic tones available without spending at least $100.00 more. Great midrange manipulation within the lower ranges... it gets a bit screechy in the upper registers. The treble range becomes a bit tinny... almost similar to the high speed pitch shift on a Whammy effect... this can be neat, or annoying. Depending on the application. The best feature of this effect is the fact that it is not a watered down Morley effect.. with virtually no sweep, and tasteless generic flavor ( I cannot speak for the Vai or Tremonti wahs.. just their basic offerings. Never played the signature wahs..) And it is stronger than a Crybaby...(although from my understanding, this is built in the same facility) The recent addition Crybaby Classic also uses a Fasel inductor.. so.. the tones may be similar.. and at only $99.00.. it IS a worthy consideration... unless you need to see chrome on the floor. Whatever does it for you..
I have owned mine for almost 2 years.. and the pots are beginning to get scratchy. Yuck. Used with Les Pauls, Strats,Teles... running thru a Voodoo Lab Preamp, Carvin T100 poweramp, Digitech GSP2101 (for effects) into 2 closed back cabs with Eminence Cannabis Rex speakers. (more on those later
This wah provides realistic, classic tones heard on your favorite albums. As with any instrument.. the more you practice with it... improve your technique and level of control, the greater the sonic reward. It's sweep can be construed as a limitation.. in the fact that it gets TOO trebly, but this can be relegated to a control issue... when you become accustomed to the sweep, it is great to have the "gas in the tank". You may not need it.. or use it.. but it's there!
I have owned mine for almost 2 years.. and the pots are beginning to get scratchy. Yuck. Used with Les Pauls, Strats,Teles... running thru a Voodoo Lab Preamp, Carvin T100 poweramp, Digitech GSP2101 (for effects) into 2 closed back cabs with Eminence Cannabis Rex speakers. (more on those later
This wah provides realistic, classic tones heard on your favorite albums. As with any instrument.. the more you practice with it... improve your technique and level of control, the greater the sonic reward. It's sweep can be construed as a limitation.. in the fact that it gets TOO trebly, but this can be relegated to a control issue... when you become accustomed to the sweep, it is great to have the "gas in the tank". You may not need it.. or use it.. but it's there!
Overall Opinion Using this for a bit over 2 years. Love the classic wah tones and True Bypass. For years, the only options where tone draining washed out Morley or Crybaby options..To be truthful, the boutique guys like Fulltone, RMC,Budda, etc did everyone a favor. They raised the bar for quality. The wah had become an almost passe' effect.. brought back to life by the likes of Slash and Joe Satriani..(thanks guys!)... hence, the demand for better quality bypass... and a more pronounced effect.
I don't like the fact that it is getting scratchy...I will investigate my options and try some contact cleaner. We'll see.. should do the trick!
I find the value to be acceptable in the $150.00 price range.. although, being that I am not exactly a "gear snob" I would probably opt for the Crybaby Classic.. which I believe is also True Bypass and equipped with the Fasel inductor as well...At about $50.00 less. Other considerations would be the new Morley George Lynch model wah.. or perhaps the Vai Bad Horsie stuff, although these may not cut it for classic tones.
I don't like the fact that it is getting scratchy...I will investigate my options and try some contact cleaner. We'll see.. should do the trick!
I find the value to be acceptable in the $150.00 price range.. although, being that I am not exactly a "gear snob" I would probably opt for the Crybaby Classic.. which I believe is also True Bypass and equipped with the Fasel inductor as well...At about $50.00 less. Other considerations would be the new Morley George Lynch model wah.. or perhaps the Vai Bad Horsie stuff, although these may not cut it for classic tones.
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